{"id":9650,"date":"2021-12-14T01:41:36","date_gmt":"2021-12-14T01:41:36","guid":{"rendered":"https:\/\/happynote.com\/music\/?p=9650"},"modified":"2021-12-14T09:11:27","modified_gmt":"2021-12-14T09:11:27","slug":"chopin-prelude-no-3-argerich-piano","status":"publish","type":"post","link":"https:\/\/happynote.com\/music\/chopin-prelude-no-3-argerich-piano\/","title":{"rendered":"Chopin – Prelude No. 3 – Martha Argerich, Piano"},"content":{"rendered":"

Chopin’s Prelude No. 3<\/em><\/a> in\u00a0 G major, returns to volatility. It belongs to the category of \u2018etudal\u2019 preludes, characterised by a quick tempo, lightness and mobility. It develops a single textural idea. Chopin’s 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838\u201339 and where he had fled with George Sand and her children to escape the damp Paris weather. – Yuja Wang<\/a><\/p>\n