Prokofiev’s Piano Concerto No 3 in C major, Op 26, was completed in 1921. Sergei Prokofiev began his work on the concerto as early as 1913 when he wrote a theme with variations which he then set aside.
Mozart’s Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785, four weeks after the completion of the previous D minor concerto, K. 466. The second movement, Andante, is one of Mozart’s most famous masterpiece.
Ravel’s Piano Concerto in G major was composed between 1929 and 1931. The concerto is in three movements and was deeply infused with jazz idioms and harmonies, which, at the time, were highly popular in Paris as well as the United States.
Rachmaninoff’s Piano Concerto No 3 in D minor was written in Dresden and completed on September 23, 1909. The concerto was first performed on Sunday afternoon, November 28, 1909, by Sergei Rachmaninoff himself.
The Piano Concerto No. 23 in A Major (K. 488) is a composition for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart’s own catalogue, on March 2, 1786, two months prior to the premiere of his opera, Le nozze di Figaro
The Piano Concerto No 5 by Beethoven, popularly known as the Emperor Concerto, was his last completed piano concerto. It was written between 1809 and 1811 in Vienna, and was dedicated to Archduke Rudolf, Beethoven’s patron and pupil.
Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, was written in 1779 while Wolfgang Amadeus Mozart was on a tour of Europe that included Mannheim and Paris.
The Piano Concerto No. 19 in F major, KV 459 by Wolfgang Amadeus Mozart was written at the end of 1784: Mozart’s own catalogue of works records that it was completed on 11 December.
The Violin Concerto No. 5 in A major, K. 219, often referred to by the nickname The Turkish, was written by Wolfgang Amadeus Mozart in 1775, premiering during the Christmas season that year in Salzburg.
Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: K. 37 and 39–41. Although these works were long considered to be original, they are now known to be orchestrations of sonatas by various German virtuosi.
