The sonata No. 9 is commonly known as the Kreutzer Sonata after the violinist Rodolphe Kreutzer, to whom it was ultimately dedicated, but who thoroughly disliked the piece and refused to play it.
Beethoven’s Piano Concerto No 1 was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
The Piano Sonata No 14 in C-Sharp Minor, popularly known as the Moonlight Sonata and completed in 1801 is one of Ludwig van Beethoven’s most popular compositions for the piano.
The Concerto No 2 was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published.
The Piano Sonata No 17 in D Minor, was composed in 1801–02 by Ludwig van Beethoven. It is usually referred to as “The Tempest” (or Der Sturm in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime.
Beethoven’s Piano Sonata No 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).
The Violin Sonata No. 8 in G Major, Op. 30 No. 3, by Ludwig van Beethoven, the third of his Opus 30 set, was written between 1801 and 1802, published in May 1803, and dedicated to Tsar Alexander I of Russia.
Beethoven’s Piano Concerto No 1 in C major, Op. 15, was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
Beethoven’s Piano Sonata No. 29 in B-Flat Major, Op. 106 (known as the Hammerklavier) is a piano sonata that is widely viewed as one of the most important works of the composer’s third period and among the greatest piano sonatas of all time.
The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, was composed in 1808 by Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808.
