Piano Sonata No. 2, Op. 36, in B-Flat Minor, was composed by Sergei Rachmaninov in 1913. Rachmaninoff revised it in 1931, with the note, “The new version, revised and reduced by author.”
Vocalise is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel of the singer’s choosing.
Thirteen Preludes Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. The prelude No 12 in G-Sharp Minor is one of the most famous.
Rachmaninoff’s Sonata for Cello and Piano in G Minor, Op. 19 was completed in November 1901 and published a year later. Sergei Rachmaninoff regarded the role of the piano as not just an accompaniment but equal to the cello.
Rachmaninoff’s Piano Concerto No 3 in D Minor was written in Dresden and completed on September 23, 1909. The concerto was first performed on Sunday afternoon, November 28, 1909, by Sergei Rachmaninoff himself.
Rachmaninoff’s Piano Concerto No. 2 in C Minor, Op. 18, was composed between the autumn of 1900 and April 1901. The second and third movements were first performed with Sergei Rachmaninoff as soloist on 2 December 1900.
Rachmaninoff’s Piano Concerto No. 3 in D Minor was written in Dresden and completed on September 23, 1909. The concerto was first performed on Sunday afternoon, November 28, 1909, by Sergei Rachmaninoff himself.
Rachmaninoff’s Piano Concerto No. 2 in C Minor, Op. 18, was composed between the autumn of 1900 and April 1901. The second and third movements were first performed with Sergei Rachmaninoff as soloist on 2 December 1900.
Rachmaninoff’s Prelude No. 10 in B minor (Op. 32), was written in 1910 along with the other twelve pieces. Sergei Rachmaninoff was inspired by Arnold Böcklin’s painting Die Heimkehr (The Homecoming or The Return).
Vocalise is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel of the singer’s choosing.
