The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, Op. 80, usually called the Choral Fantasy, was composed in 1808 by Ludwig van Beethoven. The work is noted as a kind of forerunner to the later Ninth Symphony.
The Fantasie was written by Schumann in 1836 and revised prior to publication in 1839, when it was dedicated to Franz Liszt. It is generally described as one of Schumann’s greatest works for solo piano, and is one of the central works of the early Romantic period.
The Fantasia in F Minor by Franz Schubert, D.940 (Op. posth. 103), for piano four-hands (two players at one piano), is one of Schubert’s most important works for more than one pianist and one of his most important piano works altogether.
The Fantasia in F Minor by Franz Schubert, D.940 (Op. posth. 103), for piano four-hands (two players at one piano), is one of Schubert’s most important works for more than one pianist and one of his most important piano works altogether.
The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, was composed in 1808 by Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808.
Fantasy in C Minor, K. 475 is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in Vienna on 20 May 1785. It was published as Opus 11, in December 1785.
