Chopin’s Fantaisie-Impromptu in C-Sharp Minor, Op. posth. 66, is a solo piano composition. It was composed in 1834 and dedicated to Julian Fontana, who published the piece despite Frédéric Chopin’s request not to do so.
Although quite an early work, the Arabesques contain hints of Claude Debussy’s developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form.
The Waltz No 7 in C-sharp minor is the second work of Frédéric Chopin’s opus 64 and the companion to the famous Minute Waltz (Op. 64, No. 1). It was composed in 1847 and have three themes with different speeds.
The Waltz No 6 in D-flat major, (Op. 64, No. 1), popularly known as the Minute Waltz or Valse du petit chien, (The Little Dog Waltz), was dedicated by Frédéric Chopin to the Countess Delfina Potocka.
Waltz No. 5 in A-Flat Major Op. 42, is a lively waltz composed by Frédéric Chopin in 1840. It is often considered to be one of the finest and most perfect of Chopin’s many waltzes.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
Although quite an early work, the Arabesques contain hints of Claude Debussy’s developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form.
