Chopin’s Etude Op 10 No. 1 in C Major for solo piano was composed by Frédéric Chopin in 1829. It was first published in 1833 in France, Germany, and England as the first piece of his Études Op. 10.
Chopin’s Etude Op 10 No. 1 in C Major for solo piano was composed by Frédéric Chopin in 1829. It was first published in 1833 in France, Germany, and England as the first piece of his Études Op. 10.
4th piece from Book I, Fanfares is Ligeti’s Etude No 4 for piano and is dedicated to the German pianist Volker Banfield. György Ligeti composed a cycle of 18 études for solo piano between 1985 and 2001.
La Leggierezza (meaning “lightness”) is the second from Franz Liszt’s Three Concert Etudes. It is a monothematic piece with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something slightly more frenetic.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
Etude No. 6 Op. 25 in G-Sharp Minor composed by Frédéric Chopin is a technical study focusing on thirds, trilling them at a high speed. At one point, both hands play a chromatic-third scale.
The Études-Tableaux (“study pictures”), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be “picture pieces”, essentially “musical evocations of external visual stimuli”.
The Études-Tableaux (“study pictures”), Op. 39 is the second set of piano études composed by Sergei Rachmaninoff. The Etude Tableau No 1 in C Minor demands a tireless right hand, a syncopated left hand and considerable dexterity.
