The Piano Sonata No. 17 is usually referred to as “The Tempest” (or Der Sturm in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime.
Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: K. 37 and 39–41. Although these works were long considered to be original, they are now known to be orchestrations of sonatas by various German virtuosi.
Bagatelle No 25 in A minor (WoO 59 and Bia 515) for solo piano, commonly known as For Elise is one of Ludwig van Beethoven’s most popular compositions. It was not published during his lifetime, only being discovered forty years after his death.
Wolfgang Amadeus Mozart’s Piano Sonata No. 10 in C Major, K. 330 / 300h, is one of the three works in the cycle of piano sonatas K.330-332. The sonata was composed in 1783, when Mozart was 27 years old.
Mozart’s Violin Concerto No. 4 was composed in 1775 in Salzburg. Mozart seemed to have originally composed it for himself to play, but after leaving the Salzburg Court Orchestra, he changed and updated the concerto for the successor of his position, Antonio Brunetti, to play.
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or The Day of Madness), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart. The aria: L’ho perduta, me meschina (I lost it, poor me) opens the act IV.
Der Hölle Rache kocht in meinem Herzen (Hell’s vengeance boils in my heart), is the second aria sung by the Queen of the Night, a soprano coloratura part, in Wolfgang Amadeus Mozart’s opera The Magic Flute (Die Zauberflöte).
