Chopin’s Prelude No 4 in E minor is one of the 24 preludes opus 28 for piano. By Frédéric Chopin’s request, this piece was played at his own funeral, along with Mozart’s Requiem.
Chopin’s Prelude No 4 in E minor is one of the 24 preludes opus 28 for piano. By Frédéric Chopin’s request, this piece was played at his own funeral, along with Mozart’s Requiem. Hans von Bülow called the prelude “suffocation”, due to its sense of despair.
Debussy’s Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin’s or Bach’s Well-Tempered Clavier, Debussy’s do not follow a strict pattern of key signatures.
Two videos of Maurizio Pollini playing Frédéric Chopin’s last and dramatic Prelude No 24 in D minor. The first video is from 2002, Pollini is 60 years old, the second seems to be around 1960.
Prelude and Fugue in A minor, is a piece of organ music written by Bach sometime around his years as court organist to the Duke of Saxe-Weimar (1708–1717). Because of the piece’s overall rhapsodic nature, many organists play this piece freely, and in a variety of tempi.
Thirteen Preludes Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. The prelude No 12 in G-Sharp Minor is one of the most famous.
One of Frédéric Chopin most famous masterpiece, the Prelude No 15 in D-Flat Major, nicknamed “Raindrop”, strikes one at first as an oasis of peace and calm. However, the transition from the bright key of D-Flat Major to the tenebrous C sharp minor brings dark, gloomy, disturbing sonorities.
Rachmaninoff’s Prelude No. 10 in B minor (Op. 32), was written in 1910 along with the other twelve pieces. Sergei Rachmaninoff was inspired by Arnold Böcklin’s painting Die Heimkehr (The Homecoming or The Return).
Chopin’s Prelude No 4 in E minor is one of the 24 preludes opus 28 for piano. By Frédéric Chopin’s request, this piece was played at his own funeral, along with Mozart’s Requiem. Hans von Bülow called the prelude “suffocation”, due to its sense of despair.
La Cathédrale engloutie (The Submerged Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in 1910 as the tenth prelude in Debussy’s first of two volumes of twelve piano preludes each.
