Chopin’s Ballade No. 3 in A-flat major, Op. 47, dating from 1841, is dedicated to Pauline de Noailles. The inspiration for this Ballade by Frédéric Chopin is usually claimed to be Adam Mickiewicz’s poem Undine, also known as Świtezianka.
The Waltz No 2 in A-Flat Major is part of Chopin’s Waltzes Op. 34, composed from 1834 until 1838 and published in 1838. These three waltzes were published as Grandes valses brillantes, but this title is usually reserved for the Waltz in E-flat major, Op. 18.
The Waltz No 7 in C-sharp minor is the second work of Frédéric Chopin’s opus 64 and the companion to the famous Minute Waltz (Op. 64, No. 1). It was composed in 1847 and have three themes with different speeds.
The Nocturne No 19 in E Minor, Op 72 No 1, was the first one written by Frédéric Chopin in 1827. Until then the nocturne form had been the exclusive domain of John Field, an Irish-born composer.
The Nocturne No 19 in E Minor, Op 72 No 1, was the first one written by Frédéric Chopin in 1827. Until then the nocturne form had been the exclusive domain of John Field, an Irish-born composer.
The Waltz No. 7 in C-Sharp Minor is the second work of Frédéric Chopin’s opus 64 and the companion to the Minute Waltz (Op. 64, No. 1). It was composed in 1847 and have three themes with different speeds.
In the Prelude No 9 in E major we hear the gravity of loftiness and depth. It is often called a march-hymn prelude, and it does indeed display hymn-like elements and a gravity and sublimity of character.
Chopin’s Berceuse, Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44 as variations in D-flat major. Frédéric Chopin originally called his work Variantes.
Chopin’s Fantaisie-Impromptu in C-Sharp Minor, Op. posth. 66, is a solo piano composition. It was composed in 1834 and dedicated to Julian Fontana, who published the piece despite Frédéric Chopin‘s …
