The Partitas, BWV 825–830, are a set of six harpsichord suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as Clavier-Übung I in 1731, the first of his works to be published under his own direction.
The Partita No. 3 in E Major BWV 1006 by Johann Sebastian Bach for solo violin is the last work in the set of Six Sonatas and Partitas. It consists of six movements.
The Chorale Prelude in F-minor is part of the Orgelbüchlein (Little Organ Book) BWV 599−644, a collection of 46 chorale preludes for organ written by Johann Sebastian Bach.
Herz und Mund und Tat und Leben (Heart and mouth and deed and life), BWV 147, is a church cantata by Johann Sebastian Bach. The music of the chorale movements is now best known for the piano transcription.
Prelude in B Minor by Alexander Siloti is an arrangement of Bach’s prelude in E-minor from The Well Tempered Clavier, first book. Alexander Ilyich Siloti was a Russian pianist, conductor and composer and Rachmaninoff first cousin.
The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach. All but three of them were composed during the period 1708–1717, while Bach was court organist at the ducal court in Weimar.
The Prelude in C Minor (BWV 999) is a prelude, possibly for solo lute or another instrument written by the composer Johann Sebastian Bach, probably during the late 1710s or early 1720s.
Large parts of the concluding fugue of Bach’s Toccata in E minor BWV914 seems to be borrowed directly from an anonymous composition discovered in a Naples manuscript. The subject is almost identical.
This prelude in D major is a transcription from the prelude from the Suite No 1 in G major, mainly consisting of arpeggiated chords, probably the best known movement from the entire set of the six Cello Suites, BWV 1007-1012 by Johann Sebastian Bach.
