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Piano Sonata No. 7 in B-Flat Major, Op. 83 (1942) (occasionally called the “Stalingrad”) is the second of the three “War Sonatas” written by Sergei Prokofiev. The sonata was first performed on 18 January 1943 in Moscow by Sviatoslav Richter.
Piano Sonata No. 7 in B-Flat Major, Op. 83 (1942) (occasionally called the “Stalingrad”) is the second of the three “War Sonatas” written by Sergei Prokofiev. The sonata was first performed on 18 January 1943 in Moscow by Sviatoslav Richter.
The Toccata in C Minor is part of the Toccatas for Keyboard, BWV 910–916, seven pieces for clavier written by Johann Sebastian Bach. Although the pieces were not originally organized into a collection by Bach himself, the pieces share many similarities.
The Toccata in D Minor Op. 11 for solo piano was written by Sergei Prokofiev in 1912 and debuted by the composer on December 10, 1916 in Petrograd.
The Toccata in C Minor is part of the Toccatas for Keyboard, BWV 910–916, seven pieces for clavier written by Johann Sebastian Bach. Though the specific instrumentation is not given for any of the works, they are all strictly manualiter, as none of them call for pedal parts.
The Toccata in D minor Op. 11 for solo piano was written by Sergei Prokofiev in 1912 and debuted by the composer on December 10, 1916 in Petrograd.
The Toccata in D minor Op. 11 for solo piano was written by Sergei Prokofiev in 1912 and debuted by the composer on December 10, 1916 in Petrograd.
Piano Sonata No. 7 (occasionally called the “Stalingrad”) is the second of the three “War Sonatas” written by Sergei Prokofiev. The sonata was first performed on 18 January 1943 in Moscow by Sviatoslav Richter.
Large parts of the concluding fugue of Bach’s Toccata in E minor BWV914 seems to be borrowed directly from an anonymous composition discovered in a Naples manuscript. The subject is almost identical.
The Toccata in D minor Op 11 for solo piano was written by Sergei Prokofiev in 1912 and debuted by the composer on December 10, 1916 in Petrograd. It is a further development …