Étude Op. 25, No. 1 in A-flat major is a solo piano work composed by Frédéric Chopin in 1836, and published in 1837. The work consists entirely of rapid arpeggios and harmonic modulations based on A-flat major.
Marked ‘Presto’, Chopin’s Étude Op. 25, No. 2, in F minor is based on a polyrhythm, with pairs of eighth-note (quaver) triplets in the right hand against quarter-note (crotchet) triplets in the left.
La Leggierezza (meaning “lightness”) is the second from Franz Liszt’s Three Concert Etudes. It is a monothematic piece with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something slightly more frenetic.
Known as Étude Revolutionary, Chopin Étude Op 10, No 12 in C minor is dedicated “à son ami Franz Liszt” (“to his friend Franz Liszt”). The 12th Étude appeared around the same time as the November Uprising in 1831 and its first chord sounds like a gunshot.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
La campanella (Italian for The little bell) is the nickname given to the third of Franz Liszt‘s Six Grandes études de Paganini, S. 141 (1851). It is in the key …
Scriabin’s Etude in C-Sharp Minor was written in 1887, when the composer was just 15 years old. It was the first of the Three Pieces, Op. 2, and was one of Alexander Scriabin’s earliest successes.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.