Mazurka in A Minor is the last one from Op 17, a set of four mazurkas composed by Frédéric Chopin between 1832 and 1833. It is a real masterpiece, in the form of a dance poem. Written in A minor, it is in 3/4 and is marked Lento, ma non troppo.
Wolfgang Amadeus Mozart’s Piano Sonata No 8 in A minor, K. 310 / 300d, was written in 1778. The sonata is the first of only two Wolfgang Amadeus Mozart piano sonatas in a minor key (the other being No. 14 in C minor, K. 457).
Mazurkas, Op 24 are a set of four Mazurkas for solo piano by Frédéric Chopin. The set was composed and published in 1836. Mazurka in C major is essentially a kind of folkloric cliché: a folk provenance can be found in all its themes.
The Piano Sonata No 10, Op. 70, was written by Alexander Scriabin in 1913. It was his final work in this form. The piece is highly chromatic and atonal like Scriabin’s other late works.
The Piano Concerto in A Minor, Op. 54, was completed in the year 1845 and is the only piano concerto written by Robert Schumann who had earlier worked on several piano concerti who were never completed.
In 1834, Frédéric Chopin wrote an Andante Spianato in G Major, for piano solo, which he added to the start of the Grande Polonaise Brillante in E-flat Major and joined the two parts with a fanfare-like sequence.
The Gymnopédie No. 1 is part of Gymnopédies, three piano compositions written by French composer and pianist Erik Satie and published in Paris starting in 1888.
One of Frédéric Chopin most famous masterpiece, the Prelude No 15 in D-Flat Major, nicknamed “Raindrop”, strikes one at first as an oasis of peace and calm. However, the transition from the bright key of D-Flat Major to the tenebrous C sharp minor brings dark, gloomy, disturbing sonorities.
Chopin’s Ballade No 3 in A-flat major, Op. 47, dating from 1841, is dedicated to Pauline de Noailles. The inspiration for this Ballade by Frédéric Chopin is usually claimed to be Adam Mickiewicz’s poem Undine, also known as Świtezianka.
