Chopin’s Étude Op. 10 No. 8 in F major is a technical study composed by Frédéric Chopin. It has been nicknamed the “Sunshine” étude. This work follows on from No. 7 as being primarily another work concerned with counterpoint.
One of Frédéric Chopin most famous masterpiece, the Prelude No 15 in D-Flat Major, nicknamed “Raindrop”, strikes one at first as an oasis of peace and calm. However, the transition from the bright key of D flat major to the tenebrous C sharp minor brings dark, gloomy, disturbing sonorities.
Prelude No. 24 in D Minor is the last one of Chopin’s 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839.
Etude Op 10, No 3, in E Major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France, Germany, and England as the third piece of his Études Op. 10. This is a slow cantabile study for polyphonic and legato playing.
The third Prelude, in G major, returns to volatility. It belongs to the category of ‘etudal’ preludes, characterised by a quick tempo, lightness and mobility. It develops a single textural idea.
The Barcarolle in F-sharp major, Op. 60 is a piece for solo piano by Frédéric Chopin, composed between autumn of 1845 and summer 1846, three years before his death.
Chopin’s Prelude No. 7 is the shortest prelude from 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839.
Chopin’s Ballade No. 1 in G Minor, Op. 23, composed in 1831 during the composer’s early years in Vienna, was a reflection about his loneliness in the city far away from his home in Poland.
Chopin’s Etude Op 10 No. 1 in C Major for solo piano was composed by Frédéric Chopin in 1829. It was first published in 1833 in France, Germany, and England as the first piece of his Études Op. 10.
