The Piano Sonata in B minor is a sonata for solo piano by Franz Liszt. It was completed in 1853 and published in 1854 with a dedication to Robert Schumann in return for his dedication of his Fantasie in C major, Op. 17 (published 1839) to Liszt.
La Campanella (Italian for “The little bell”) is the nickname given to the third of Franz Liszt’s six Grandes études de Paganini. This piece is a revision of an earlier version from 1838, the Études d’exécution transcendante d’après Paganini.
Hungarian Rhapsody No. 2 in C-sharp minor is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Liszt was strongly influenced by Hungarian folk music, with its unique gypsy scale.
Franz Liszt composed his Piano Concerto No. 1 in E-Flat Major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849.
Franz Liszt‘s Transcendental Etude No. 4 in D minor, Mazeppa, is the fourth Transcendental Étude, published in 1852. This complex and virtuosic staple of the Romantic Era repertoire was inspired by Victor Hugo‘s …
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, …
The Mephisto Waltzes are four waltzes composed by Franz Liszt from 1859 to 1862, from 1880 to 1881, and in 1883 and 1885. Nos. 1 and 2 were composed for orchestra, and later arranged for piano, piano duet and two pianos, whereas nos. 3 and 4 were written for piano only.
The Mephisto Waltzes are four waltzes composed by Franz Liszt from 1859 to 1862, from 1880 to 1881, and in 1883 and 1885. Of the four, the first is the most popular.
The Opry House was the fifth Mickey Mouse cartoon released by Walt Disney Productions and introduced Mickey’s gloves. You can listen some theme from Rachmaninov’s famous C-sharp minor prelude and Liszt’s 2nd rhapsody.
Hungarian Rhapsody No. 6 in D-Flat Major is the sixth work of the 19 Hungarian Rhapsodies composed by Franz Liszt. This piece was later arranged for orchestra. In its original piano version, it is famous for its very fast octaves in the last part.
