The Nocturnes, Op. 27 (No 7 and No 8) are two solo piano pieces composed by Frédéric Chopin. The Nocturne No. 8 is in D-Flat Major and is one of Chopin most famous nocturne. The pieces were composed in 1836 and published in 1837.
Lutosławski left Warsaw in July 1944 with his mother, merely a few days before the Warsaw Uprising, salvaging only a few scores and sketches—the rest of his music was lost during the complete destruction of the city by Germans after the fall of uprising.
The Piano Concerto No 1 in B-Flat Minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. It was revised in the summer of 1879 and again in December 1888.
The Rhapsodies, Op. 79, for piano were written by Johannes Brahms in 1879 during his summer stay in Pörtschach, when he had reached the maturity of his career.
Bach arranged Vivaldi’s Op 3 No 10 (RV 580) to a concerto for 4 keyboards and strings (BWV 1065). Johann Sebastian Bach made a number of transcriptions of Antonio Vivaldi’s concertos, especially from his Op. 3 set, entitled L’estro armonico.
La Leggierezza (meaning “lightness”) is the second from Franz Liszt’s Three Concert Etudes . It is a monothematic piece in F minor with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favor of something slightly more frenetic.
Baba Yaga, The Hut on Hen’s Legs, is the ninth piece of Pictures of an Exhibition, a suite of ten pieces (plus a recurring, varied Promenade) composed for piano by Russian composer Modest Mussorgsky.
Chopin’s Piano Sonata No. 2 in B-Flat Minor, Op. 35, is a piano sonata in four movements. Frédéric Chopin completed the work while living in George Sand’s manor in Nohant, some 250 km (160 mi) south of Paris, a year before it was published in 1840.
The Nocturnes, Op. 48 are a set of two nocturnes written by Frédéric Chopin in 1841 and published the following year in 1842. They are the only two nocturnes in opus 48 and are dedicated to Mlle. Laure Duperré.
Vertige, Etude No 9, dedicated to composer Mauricio Kagel, is Ligeti’s third etude from Book 2. Widely-separated hands use chromatic scales to create the effect of endless, falling movement.
