The Concerto for Piano, Trumpet, and String Orchestra in C minor, Op. 35, was completed by Dmitri Shostakovich in 1933. The concerto was an experimentation with a neo-baroque combination of instruments.
The Waltz No. 7 in C-Sharp Minor is the second work of Frédéric Chopin’s opus 64 and the companion to the Minute Waltz (Op. 64, No 1). It was composed in 1847 and have three themes with different speeds.
Dance of the Blessed Spirits is a melody from Orpheus and Eurydice, an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de’ Calzabigi.
Scarlatti’s sonata in D minor K 141 is one of Martha Argerich’s favorite encore. There are many videos available on Youtube, both professional and amateur recordings.
Rachmaninoff’s Piano Concerto No. 3 in D Minor was written in Dresden and completed on September 23, 1909. The concerto was first performed on Sunday afternoon, November 28, 1909, by Sergei Rachmaninoff himself.
Dreams of Love is a set of three solo piano works published in 1850 by Franz Liszt. Originally the three Liebesträume were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath.
The Harpsichord Concerto No. 1 is Bach first harpsichord concerto. Like the other harpsichord concertos, it is generally believed to be a transcription of a lost concerto composed in Cöthen or Weimar and many scholars suggested that the original melody instrument was probably the violin.
Gretchen am Spinnrade (Gretchen at the Spinning Wheel), Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 18 of Johann Wolfgang von Goethe’s Faust. Gretchen am Spinnrade was originally composed for the soprano voice.
The Mephisto Waltzes are four waltzes composed by Franz Liszt. Nos. 1 and 2 were composed for orchestra, and later arranged for piano, piano duet and two pianos, whereas nos. 3 and 4 were written for piano only.
Chopin’s Piano Sonata No. 2 in B-Flat Minor, Op. 35, is a piano sonata in four movements. Frédéric Chopin completed the work while living in George Sand’s manor in Nohant, some 250 km (160 mi) south of Paris, a year before it was published in 1840.
