The Scherzo No. 3 Op. 39 in C-Sharp Minor by Frédéric Chopin, completed in 1839, was written in the abandoned monastery of Valldemossa on the Balearic island of Majorca, Spain.
Ravel’s Piano Concerto in G major was composed between 1929 and 1931. The concerto is in three movements and was deeply infused with jazz idioms and harmonies, which, at the time, were highly popular in Paris as well as the United States.
Chopin’s Étude Op. 10 No. 8 in F major is a technical study composed by Frédéric Chopin. It has been nicknamed the “Sunshine” étude. This work follows on from No. 7 as being primarily another work concerned with counterpoint.
The Mephisto Waltzes are four waltzes composed by Franz Liszt from 1859 to 1862, from 1880 to 1881, and in 1883 and 1885. Nos. 1 and 2 were composed for orchestra, and later arranged for piano, piano duet and two pianos, whereas nos. 3 and 4 were written for piano only.
The Piano Sonata No. 11 in A major, K. 331 by Wolfgang Amadeus Mozart is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata. The final in A minor is the famous Turkish March.
The Rhapsody on a Theme of Paganini, Op. 43, is a concertante work for solo piano and symphony orchestra composed by Sergei Rachmaninoff. It closely resembling a piano concerto, albeit …
Wolfgant Amadeus Mozart has written six trios with piano. During his lifetime, this kind was extremely popular in Vienna, violin often being replaced by a wind instrument like the clarinet or the flute.
The Partitas, BWV 825–830, are a set of six harpsichord suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as Clavier-Übung I in 1731, the first of his works to be published under his own direction.
Wolfgang Amadeus Mozart’s Piano Sonata No 8 in A Minor, K. 310 / 300d, was written in 1778. The sonata is the first of only two Wolfgang Amadeus Mozart piano sonatas in a minor key (the other being No. 14 in C minor, K. 457).
Franz Schubert composed his Lied Erlkönig for solo voice and piano at the age of 17 or 18 in 1815, setting text from Goethe’s poem. Schubert revised the song three times before publishing his fourth version in 1821 as his Opus 1.
