The third Prelude, in G major, returns to volatility. It belongs to the category of ‘etudal’ preludes, characterised by a quick tempo, lightness and mobility. It develops a single textural idea.
Chopin’s 24 Preludes Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin’s Prelude No 16 in B-Flat Minor, Presto con fuoco, is certainly the most difficult of the set.
The Piano Concerto No. 2 was composed by Frédéric Chopin in 1829. Chopin wrote the piece before he had finished his formal education, at around 20 years of age. It was first performed on 17 March 1830, in Warsaw, Poland, with the composer as soloist.
Chopin’s Ballade No. 4 in F Minor, Op. 52, was composed in 1842 in Paris and Nohant and revised in 1843. The work was dedicated to Baroness Rothschild, wife of Nathaniel de Rothschild.
Chopin’s Prelude No. 4 in E Minor is one of the 24 preludes opus 28 for piano. By Chopin’s request, this piece was played at his own funeral, along with Mozart’s Requiem.
Rachmaninoff’s Sonata for Cello and Piano in G Minor, Op. 19 was completed in November 1901 and published a year later. Sergei Rachmaninoff regarded the role of the piano as not just an accompaniment but equal to the cello.
Kreisleriana, Op. 16, is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. It was written in only four days in April 1838 and a revised version appeared in 1850.
Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano pieces by the Romantic composer Felix Mendelssohn, written between 1829 and 1845. His sister Fanny Mendelssohn and other composers also wrote pieces in the same genre.
The Prelude No 15 in D-Flat Major, nicknamed “Raindrop”, strikes one at first as an oasis of peace and calm. However, the transition from the bright key of D-Flat Major to the tenebrous C sharp minor brings dark, gloomy, disturbing sonorities.