The Concerto No 2 was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published.
The Violin Sonata No. 8 in G Major, Op. 30 No. 3, by Ludwig van Beethoven, the third of his Opus 30 set, was written between 1801 and 1802, published in May 1803, and dedicated to Tsar Alexander I of Russia.
Beethoven’s Piano Concerto No 1 in C major, Op. 15, was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, was composed in 1808 by Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808.
Beethoven’s Piano Sonata No 28 in A major, Op. 101, was written in 1816 and was dedicated to the pianist Baroness Dorothea Ertmann, née Graumen. This sonata marks the beginning of what is generally regarded as Ludwig van Beethoven’s final period.
Beethoven’s Piano Concerto No 1 in C major, Op. 15, was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
The Concerto No 2 was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published.
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
Piano Sonata No 7 in D major, Op. 10, No. 3, was dedicated to the Countess Anne Margarete von Browne, and written in 1798 by Ludwig van Beethoven. The Op. 10 sonatas are usually described as angular or experimental, as Beethoven began moving further and further away from his earlier models.
Beethoven’s Piano Sonata No 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).