Chopin’s Piano Concerto No. 1 in E minor, Op. 11, was written in 1830. It was first performed on 11 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his “farewell” concerts before leaving Poland.
Piano Sonata No 8 in B-Flat Major, Op. 84 (1944) is a sonata for solo piano composed by Sergei Prokofiev, the third of the Three War Sonatas. The sonata was first performed on 30 December 1944 in Moscow by the Russian pianist Emil Gilels.
The Piano Concerto in A Minor, Op. 54 was completed in the year 1845 and is the only piano concerto written by the German Romantic composer Robert Schumann. The work was premiered in Dresden on December 4, 1845.
Chopin Prelude No 8, in F-Sharp Minor, counters the calm simplicity of the seventh with a broad stream of sonority of peculiar beauty, diffused in rising and falling waves of airy figuration. Among its admirers was Witold Lutosławski, who called it a ‘wonder’.
The Partitas, BWV 825–830, are a set of six harpsichord suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as Clavier-Übung I in 1731, the first of his works to be published under his own direction.
Chopin’s Piano Sonata No 3 in B Minor, Op. 58, is the last of the composer’s piano sonatas. Completed in 1844 and dedicated to Countess Émilie de Perthuis, the work is considered to be one of Frédéric Chopin’s most difficult compositions, both technically and musically.
Chopin’s Etude Op 10 No. 1 in C Major for solo piano was composed by Frédéric Chopin in 1829. It was first published in 1833 in France, Germany, and England as the first piece of his Études Op. 10.
Trio No. 2 in C Minor, Op. 66 was composed by Felix Mendelssohn in 1845 and published in February 1846. The work is scored for a standard piano trio consisting of violin, cello and piano.
La Leggierezza (meaning “lightness”) is the second from Franz Liszt’s Three Concert Etudes . It is a monothematic piece in F minor with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something slightly more frenetic.
