Beethoven’s Piano Sonata No 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).
The Violin Sonata No. 8 in G Major, Op. 30 No. 3, by Ludwig van Beethoven, the third of his Opus 30 set, was written between 1801 and 1802, published in May 1803, and dedicated to Tsar Alexander I of Russia.
Beethoven’s Piano Concerto No 1 in C major, Op. 15, was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
Mozart’s Piano Concerto No. 23 in A major (K. 488) was finished on March 2, 1786, two months prior to the premiere of the opera, Le nozze di Figaro and some three weeks prior to the completion of his next piano concerto.
Joseph Haydn’s Keyboard Concerto No 11 in D major (Hob. XVIII/11) was written between 1780 and 1783, and published in 1784. It was originally composed for harpsichord or fortepiano and scored for an orchestra in a relatively undeveloped galant style.
Beethoven’s Piano Sonata No. 29 in B-Flat Major, Op. 106 (known as the Hammerklavier) is a piano sonata that is widely viewed as one of the most important works of the composer’s third period and among the greatest piano sonatas of all time.
The Concerto for Piano, Violin, and Strings in D minor, MWV O4, also known as the Double Concerto in D minor, was written in 1823 by Felix Mendelssohn when he was 14 years old.
Mozart’s Piano Concerto No 23 in A major (K. 488) was finished on March 2, 1786, two months prior to the premiere of the opera, Le nozze di Figaro and some three weeks prior to the completion of his next piano concerto.
The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, was composed in 1808 by Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808.
Liebesbotschaft (Message of love, the singer invites a stream to convey a message to his beloved.) is the first lied from Schwanengesang, a collection of songs written by Franz Schubert at the end of his life and published posthumously.
