Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
Beethoven’s Piano Concerto No 1 was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, Op. 80, usually called the Choral Fantasy, was composed in 1808 by Ludwig van Beethoven. The work is noted as a kind of forerunner to the later Ninth Symphony.
This sonata marks the beginning of what is generally regarded as Ludwig van Beethoven’s final period, where the forms are more complex, ideas more wide-ranging, textures more polyphonic, and the treatment of the themes and motifs even more sophisticated than before.
Dance of the Blessed Spirits is a melody from Orpheus and Eurydice, an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de’ Calzabigi.
Piano Sonata No 7 in D major, Op. 10, No. 3, was dedicated to the Countess Anne Margarete von Browne, and written in 1798 by Ludwig van Beethoven. The Op. 10 sonatas are usually described as angular or experimental, as Beethoven began moving further and further away from his earlier models.
Franz Schubert composed a number of works known as Ständchen (serenade). Franz Liszt’s transcription for piano solo is the fourth lied from Schwanengesang, a collection of songs written by Schubert at the end of his life and published posthumously.
The Piano Concerto No. 20 in D Minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with Wolfgang Amadeus Mozart as the soloist.
Beethoven’s Piano Sonata No 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).
