Mazurka in A Minor is the last one from Op 17, a set of four mazurkas composed by Frédéric Chopin between 1832 and 1833. It is a real masterpiece, in the form of a dance poem. Written in A minor, it is in 3/4 and is marked Lento, ma non troppo.
The Concerto for Piano, Violin, and Strings in D minor, MWV O4, also known as the Double Concerto in D minor, was written in 1823 by Felix Mendelssohn when he was 14 years old.
Rachmaninoff’s Sonata for Cello and Piano in G Minor, Op. 19 was completed in November 1901 and published a year later. Sergei Rachmaninoff regarded the role of the piano as not just an accompaniment but equal to the cello.
Chopin Prelude No 8, in F sharp minor, counters the calm simplicity of the seventh with a broad stream of sonority of peculiar beauty, diffused in rising and falling waves of airy figuration. Among its admirers was Witold Lutosławski, who called it a ‘wonder’.
Jardins sous la pluie, the third ans last piece from Estampes, a composition for piano written by Claude Debussy, describes a garden in the Normandy town of Orbec during an extremely violent rainstorm.
Tea for Two is a song composed by Vincent Youmans with lyrics by Irving Caesar and written in 1924. It was introduced by Louise Groody and John Barker in the Broadway musical No, No, Nanette.
Mozart’s Piano Concerto No 23 in A major (K. 488) was finished on March 2, 1786, two months prior to the premiere of the opera, Le nozze di Figaro and some three weeks prior to the completion of his next piano concerto.
The Gymnopédie No. 1 is part of Gymnopédies, three piano compositions written by French composer and pianist Erik Satie and published in Paris starting in 1888.
Kreisleriana is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. It was written in only four days in April 1838 and a revised version appeared in 1850. In 1839, soon after publishing it, Schumann called it in a letter my favorite work.
The Piano Sonata in B minor is a sonata for solo piano by Franz Liszt. It was completed in 1853 and published in 1854 with a dedication to Robert Schumann in return for his dedication of his Fantasie in C major, Op. 17 (published 1839) to Liszt.
