Prelude No. 24 is the last one of Chopin’s 24 Preludes, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Frédéric Chopin wrote them between 1835 and 1839.
Liebesbotschaft (Message of love, the singer invites a stream to convey a message to his beloved.) is the first lied from Schwanengesang, a collection of songs written by Franz Schubert at the end of his life and published posthumously.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
Chopin’s Berceuse, Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44 as variations in D-flat major. Frédéric Chopin originally called his work Variantes.
Edvard Grieg composed the Cello Sonata in 1882–83, marking a return to composition following a period when he had been preoccupied with his conducting duties at the Bergen Symphony Orchestra as well as illness.
Mendelssohn’s Piano Concerto No. 1 was written in 1830–31, around the same time as his fourth symphony (“Italian”), and premiered in Munich in October 1831. This concerto was composed in Rome during a travel in Italy after the composer met a pianist in Munich.
La campanella (Italian for The little bell) is the nickname given to the third of Franz Liszt‘s Six Grandes études de Paganini, S. 141 (1851). It is in the key …
Rachmaninoff’s Piano Concerto No. 2 in C Minor, Op. 18, was composed between the autumn of 1900 and April 1901. The second and third movements were first performed with Sergei Rachmaninoff as soloist on 2 December 1900.
Les Jeux d’Eau à la Villa d’Este (The Fountains of the Villa d’Este) is the fourth piece from Franz Liszt’s Années de pèlerinage (Years of Pilgrimage) troisième année (third year). Written in F-Sharp Major, it was composed in 1877.