Beethoven’s Piano Concerto No. 1 in C major, Op. 15, was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
The Piano Concerto No. 5 by Beethoven, popularly known as the Emperor Concerto, was his last completed piano concerto. It was written between 1809 and 1811 in Vienna, and was dedicated to Archduke Rudolf, Beethoven’s patron and pupil.
Brin Addison is playing the first movement of Piano Sonata No 14 in C-Sharp Minor composed by Ludwig van Beethoven, popularly known as the Moonlight Sonata, on a Hubert Heerbeck …
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
Beethoven’s Piano Concerto No 1 was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, Op. 80, usually called the Choral Fantasy, was composed in 1808 by Ludwig van Beethoven. The work is noted as a kind of forerunner to the later Ninth Symphony.
This sonata marks the beginning of what is generally regarded as Ludwig van Beethoven’s final period, where the forms are more complex, ideas more wide-ranging, textures more polyphonic, and the treatment of the themes and motifs even more sophisticated than before.
Piano Sonata No 7 in D major, Op. 10, No. 3, was dedicated to the Countess Anne Margarete von Browne, and written in 1798 by Ludwig van Beethoven. The Op. 10 sonatas are usually described as angular or experimental, as Beethoven began moving further and further away from his earlier models.
Beethoven’s Piano Sonata No 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).
