Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
The Piano Quintet by Robert Schumann was composed in 1842 and received its first public performance the following year. It is considered one of his finest compositions and a major work of nineteenth-century chamber music.
Franz Liszt composed his Piano Concerto No. 1 in E-Flat Major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849.
The Gnossiennes are several piano compositions written by the French composer Erik Satie in the late 19th century. The Gnossienne No 1 is the first of the Three Gnossiennes composed around 1890 and first published in 1893.
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments.
Rachmaninoff’s Piano Concerto No. 2 in C Minor, Op. 18, was composed between the autumn of 1900 and April 1901. The second and third movements were first performed with Sergei Rachmaninoff as soloist on 2 December 1900.
The smuggler (Der Kontrabandiste) is a piece from Robert Schumann’s Spanisches Liederspiel op. 74. The transcription for piano solo is from Carl Tausig, a Polish composer, pianist and arranger considered by some critics to be the greatest of Liszt’s pupils.
The Concerto No 2 was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published.
Rhapsody in Blue is a 1924 musical composition by the American composer George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. The composition was commissioned by the bandleader Paul Whiteman.
