Rachmaninoff’s Piano Concerto No. 2 in C Minor, Op. 18, was composed between the autumn of 1900 and April 1901. The second and third movements were first performed with Sergei Rachmaninoff as soloist on 2 December 1900.
The Études-Tableaux (“study pictures”), Op. 39 is the second set of piano études composed by Sergei Rachmaninoff. The Etude Tableau No 1 in C Minor demands a tireless right hand, a syncopated left hand and considerable dexterity.
Vocalise is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel of the singer’s choosing.
The Études-Tableaux (“study pictures”), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be “picture pieces”, essentially “musical evocations of external visual stimuli”.
Rachmaninoff’s Prelude No. 5 in G minor, was completed in 1901. It was included in his Opus 23 set of ten preludes, despite having been written two years earlier than the other nine.
Thirteen Preludes Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. The prelude No 12 in G-Sharp Minor is one of the most famous.
Rachmaninoff’s Piano Concerto No. 3 in D minor was written in Dresden and completed on September 23, 1909. The concerto was first performed on Sunday afternoon, November 28, 1909, by Sergei Rachmaninoff himself.
Thirteen Preludes Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. The prelude No 12 in G-sharp minor is one of the most famous, especially under Horowitz fingers.
Rachmaninoff’s Sonata for Cello and Piano in G Minor, Op. 19 was completed in November 1901 and published a year later. Sergei Rachmaninoff regarded the role of the piano as not just an accompaniment but equal to the cello.
