The Fantasia in F Minor by Franz Schubert, D.940 (Op. posth. 103), for piano four-hands (two players at one piano), is one of Schubert’s most important works for more than one pianist and one of his most important piano works altogether.
Beethoven’s Piano Concerto No 1 was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
The Piano Concerto No 9 “Jenamy” (often incorrectly nicknamed “Jeunehomme”) in E-Flat Major, K. 271, by Wolfgang Amadeus Mozart was written in Salzburg in 1777, when Mozart was 21 years old.
Dance of the Blessed Spirits is a melody from Orpheus and Eurydice, an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de’ Calzabigi.
Fantasy in C Minor, K. 475 is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in Vienna on 20 May 1785. It was published as Opus 11, in December 1785.
Franz Schubert composed a number of works known as Ständchen (serenade). Franz Liszt’s transcription for piano solo is the fourth lied from Schwanengesang, a collection of songs written by Schubert at the end of his life and published posthumously.
Ciranda das Sete Notas in C major is of great importance in the bassoon repertoire, especially considering its popularity in concert rooms around the world. F. The title “Ciranda” came from a traditional Brazilian folkloric play.
The Concerto No 2 was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published.
Wolfgang Amadeus Mozart’s Piano Sonata No. 10 in C major, K. 330 / 300h, is one of the three works in the cycle of piano sonatas K.330-331-332. The work is one of Mozart’s most popular piano sonatas.
The Piano Sonata No 17 in D Minor, was composed in 1801–02 by Ludwig van Beethoven. It is usually referred to as “The Tempest” (or Der Sturm in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime.
