Although quite an early work, the Arabesques contain hints of Claude Debussy’s developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form.
Vocalise is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel of the singer’s choosing.
The Waltz No 2 in A-Flat Major is part of Chopin’s Waltzes Op. 34, composed from 1834 until 1838 and published in 1838. These three waltzes were published as Grandes valses brillantes, but this title is usually reserved for the Waltz in E-flat major, Op. 18.
Even though its key signature is empty, the Gnossienne No 4 is in D Minor. The Gnossiennes are several piano compositions written by the French composer Erik Satie in the late 19th century.
The Waltz No 7 in C-sharp minor is the second work of Frédéric Chopin’s opus 64 and the companion to the famous Minute Waltz (Op. 64, No. 1). It was composed in 1847 and have three themes with different speeds.
The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works and is among the most popular of all piano concerti.
The Piano Concerto No. 20 in D Minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with Wolfgang Amadeus Mozart as the soloist.
Yuja Wang, born February 10, 1987, is widely regarded as one of the finest living pianists. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing and the Curtis Institute of Music in Philadelphia.
The Toccata in C Minor is part of the Toccatas for Keyboard, BWV 910–916, seven pieces for clavier written by J.S. Bach. Though the specific instrumentation is not given for any of the works, they are all strictly manualiter, as none of them call for pedal parts.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
