The Concerto for Piano, Trumpet, and String Orchestra in C Minor, Op. 35, was completed by Dmitri Shostakovich in 1933. The concerto was an experimentation with a neo-baroque combination of instruments.
4th piece from Book II, Der Zauberlehrling (The Sorcerer’s Apprentice) is Ligeti’s Etude No 10 for piano and is dedicated to the French pianist Pierre-Laurent Aimard. György Ligeti composed a cycle of 18 études for solo piano between 1985 and 2001.
Chopin’s Piano Sonata No. 2 in B-Flat Minor, Op. 35, is a piano sonata in four movements. Frédéric Chopin completed the work while living in George Sand’s manor in Nohant, some 250 km (160 mi) south of Paris, a year before it was published in 1840.
The English Suites, BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard.
The Piano Concerto No. 2 was written by Tchaikovsky in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he be allowed to perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky’s First Piano Concerto.
Beethoven’s Piano Concerto No 1 was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist.
The Piano Concerto No. 1 in D Minor, Op. 15, is a work for piano and orchestra completed by Johannes Brahms in 1858. The composer gave the work’s public debut in Hanover, the following year.
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & Härtel.
The Waltz No 6 in D-flat major, (Op. 64, No. 1), popularly known as the Minute Waltz or Valse du petit chien, (The Little Dog Waltz), was dedicated by Frédéric Chopin to the Countess Delfina Potocka.
Chopin’s Prelude No 4 in E minor is one of the 24 preludes opus 28 for piano. By Frédéric Chopin’s request, this piece was played at his own funeral, along with Mozart’s Requiem. Hans von Bülow called the prelude “suffocation”, due to its sense of despair.
