The Partitas, BWV 825–830, are a set of six harpsichord suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as Clavier-Übung I in 1731, the first of his works to be published under his own direction.
Chopin’s Piano Sonata No 3 in B Minor, Op. 58, is the last of the composer’s piano sonatas. Completed in 1844 and dedicated to Countess Émilie de Perthuis, the work is considered to be one of Frédéric Chopin’s most difficult compositions, both technically and musically.
Trio No. 2 in C Minor, Op. 66 was composed by Felix Mendelssohn in 1845 and published in February 1846. The work is scored for a standard piano trio consisting of violin, cello and piano.
La Leggierezza (meaning “lightness”) is the second from Franz Liszt’s Three Concert Etudes . It is a monothematic piece in F minor with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something slightly more frenetic.
Nocturne No. 4 in F Major is the first of the Nocturnes Op 15, a set of three nocturnes written by Frédéric Chopin between 1830 and 1833. The work was published in January 1834, and was dedicated to Ferdinand Hiller.
Träumerei (Dreaming) is the 7th piece from Kinderszenen (Scenes from Childhood), Op. 15, by Robert Schumann, a set of thirteen pieces of music for piano written in 1838.
Hungarian Rhapsody No. 6 in D-Flat Major is the sixth work of the 19 Hungarian Rhapsodies composed by Franz Liszt. This piece was later arranged for orchestra. In its original piano version, it is famous for its very fast octaves in the last part.
It was written in only four days in April 1838 and a revised version appeared in 1850. The work’s title was inspired by the character of Johannes Kreisler from works of E. T. A. Hoffmann.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
