Franz Liszt wrote drafts for his Concerto for Piano No. 2 in A Major, S.125, during his virtuoso period, in 1839 to 1840. He then put away the manuscript for a decade. When he returned to the concerto, he revised and scrutinized it repeatedly.
Widmung Op. 25 No. 1 is the first song in Myrthen, a song cycles (26 songs) written by Robert Schumann in 1840, as a secret wedding gift for Clara Wieck. This piece was later arranged for piano solo by Franz Liszt.
Auf dem Wasser zu singen (To sing on the water), D. 774, is a Lied composed by Franz Schubert in 1823, based on the poem of the same name by Friedrich Leopold zu Stolberg-Stolberg. The text describes a scene on the water from the perspective of the narrator who is in a boat.
Gretchen am Spinnrade (Gretchen at the Spinning Wheel), Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 18 of Johann Wolfgang von Goethe’s Faust.
The Piano Sonata in B minor is a sonata for solo piano by Franz Liszt. It was completed in 1853 and published in 1854 with a dedication to Robert Schumann in return for his dedication of his Fantasie in C major, Op. 17 (published 1839) to Liszt.
Liszt’s Third Consolation in D-Flat Major is the most popular of the six Consolations and also a favorite encore piece. Its style is similar to the Chopin Nocturnes, in particular, it seems to have been inspired by Chopin’s Nocturne Op. 27 No. 2.
Written in October 1849 in response to the crushing of the Hungarian Revolution of 1848 by the Habsburgs, Funérailles is the 7th and one of the most famous pieces in Harmonies poétiques et religieuses (Poetic and Religious Harmonies).
La Leggierezza (meaning “lightness”) is the second from Franz Liszt’s Three Concert Etudes . It is a monothematic piece in F minor with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something slightly more frenetic.
Hungarian Rhapsody No. 6 in D-Flat Major is the sixth work of the 19 Hungarian Rhapsodies composed by Franz Liszt. This piece was later arranged for orchestra. In its original piano version, it is famous for its very fast octaves in the last part.
Feux Follets (Wills o’ the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt. As with the other works in the Études but one, Feux Follets went through three versions.
