The Fantasia in F Minor by Franz Schubert, D.940 (Op. posth. 103), for piano four-hands (two players at one piano), is one of Schubert’s most important works for more than one pianist and one of his most important piano works altogether.
Auf dem Wasser zu singen (To sing on the water), D. 774, is a Lied composed by Franz Schubert in 1823, based on the poem of the same name by Friedrich Leopold zu Stolberg-Stolberg. The text describes a scene on the water from the perspective of the narrator who is in a boat.
Gretchen am Spinnrade (Gretchen at the Spinning Wheel), Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 18 of Johann Wolfgang von Goethe’s Faust.
It is not known when Mozart completed his Piano Concerto No 10 but research shows that cadenzas for the first and third movements are written in his and his father’s handwriting on a type of paper used between August 1775 and January 1777.
Beethoven’s Piano Concerto No 4 in G Major, Op. 58, was composed in 1805–1806. Ludwig van Beethoven dedicated the concerto to his friend, student, and patron, the Archduke Rudolph.
The Piano Concerto No. 3 in C Minor Op 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. The first primary theme is reminiscent of that of Mozart’s 24th Piano Concerto.
Impromptu Op. 90 No. 3 is the third piece of a series of eight for solo piano composed in 1827 by Franz Schubert. They were published in two sets of four impromptus each.
Mozart’s Piano Sonata No 13 in B-flat major was composed in Linz at the end of 1783. There is no doubt that this sonata was first published on 21 April 1784 in Vienna by Christoph Torricella (along with K. 284 and K. 454, as op. 7).
