The Cello Sonata in G minor, Op. 65, was written by Frédéric Chopin in 1846. It is one of only nine works of Chopin published during his lifetime that were written for instruments other than piano (although the piano still appears in every work he wrote).
Chopin’s Fantaisie-Impromptu in C-Sharp Minor, Op. posth. 66, is a solo piano composition. It was composed in 1834 and dedicated to Julian Fontana, who published the piece despite Frédéric Chopin’s request not to do so.
The Piano Quintet by Robert Schumann was composed in 1842 and received its first public performance the following year. Noted for its “extroverted, exuberant” character, Schumann’s piano quintet is considered one of his finest compositions.
Widmung Op. 25 No. 1 is the first song in Myrthen, a song cycles (26 songs) written by Robert Schumann in 1840, as a secret wedding gift for Clara Wieck. This piece was later arranged for piano solo by Franz Liszt.
Auf dem Wasser zu singen (To sing on the water), D. 774, is a Lied composed by Franz Schubert in 1823, based on the poem of the same name by Friedrich Leopold zu Stolberg-Stolberg. The text describes a scene on the water from the perspective of the narrator who is in a boat.
Gretchen am Spinnrade (Gretchen at the Spinning Wheel), Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 18 of Johann Wolfgang von Goethe’s Faust.
The Piano Sonata in B minor is a sonata for solo piano by Franz Liszt. It was completed in 1853 and published in 1854 with a dedication to Robert Schumann in return for his dedication of his Fantasie in C major, Op. 17 (published 1839) to Liszt.
Waltz No. 5 in A-Flat Major Op. 42, is a lively waltz composed by Frédéric Chopin in 1840. It is often considered to be one of the finest and most perfect of Chopin’s many waltzes.
Chopin’s Ballade No. 3 in A-flat major, Op. 47, composed by Frédéric Chopin, dating from 1841, is dedicated to Pauline de Noailles. The inspiration for this Ballade is usually claimed to be Adam Mickiewicz’s poem Undine, also known as Świtezianka.
Lutosławski left Warsaw in July 1944 with his mother, merely a few days before the Warsaw Uprising, salvaging only a few scores and sketches—the rest of his music was lost during the complete destruction of the city by Germans after the fall of uprising.
